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zerhusen21933 April 20, 2023 Comment

The White House’s 2021 American Rescue Plan may also lay out plans for fraudsters’ 2022 online payment scams. The new law doesn’t introduce new taxes, but rather institutes new reporting requirements. The IRS requires the reporting on form 1099-K of any business revenue over $600 paid using any of the payment apps.

If you are a gig worker or small business owner and a user of PayPal, Zelle, Venmo, Google Pay, Apple Pay, Samsung Pay, Xoom, Square, Stripe, Circle Pay, Facebook Messenger, or other payment apps; this new reporting requirement will directly affect you in ways you might not like.

If they haven’t done so already, the payment apps will request your tax filing information, either your Social Security number or employer identification number. Don’t be fooled by the obvious onslaught of impersonations we will all be seeing soon. Be wary of fake, rogue mobile apps impersonating payments app you use and trust. You might be asked by payment apps you don’t even use. And you may be asked many times. Don’t get annoyed, get suspicious, fast.

How To Report Fake Accounts On Tiktok And Protect Your Brand From Impersonation

Fraudsters may take advantage of the new Form 1099-K reporting threshold from a couple of angles online. They may create fake websites impersonating the IRS.

Consider the 2021 garden variety impersonation of the IRS seen in the image below. It certainly looks real, but it is a fake, and a fraud intended to convince you that you are browsing at the official IRS government site. Clicking OK will send you along to a fake page asking you to enter your Social Security number. This is one of many IRS impersonations we commonly see at Allure Security, and we expect to see many more.

Fraudsters may also create fake websites impersonating various payment services companies. Under the guise of needing to collect or update victims’ tax information, these fake websites will likely attempt to steal payment app credentials, as well as, other payment and banking information.

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The images below show how convincing these online payments scams can be. Allure Security’s brand impersonation detection engine discovered this fake website imitating the Venmo brand just last month. The URL for this site bears no resemblance to the official Venmo website and so traditional domain monitoring would not have identified this scam. Only via AI-powered analysis of the images and text on the page can a scam such as this be found.

When you click the “Sign In” button on the scam site, you’re taken to the screen below. You’ll see that the scammers don’t stop at stealing your Venmo credentials, they’ll happily accept your payment card details as well.

For more tips on staying safe, visit the IRS’s Tax Scams and Consumer Alerts web page or search “fraud” within a particular payment service’s help center.As Sift's Trust and Safety Architect, Brittany Allen has more than a decade of experience combating e-commerce marketplace fraud at companies such as Etsy, Airbnb, 1stDibs and letgo.

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Buy now, pay later (BNPL) is booming in popularity, particularly among the traditional credit-wary millennial and Gen Z consumer populations. With $680 billion in transaction volume by 2025 up for grabs, fintech startups and long-standing financial institutions alike are jumping into the mix with their own offerings.

While many industry pundits would point to the recent Consumer Financial Protection Bureau (CFPB) probe into BNPL vendors as the sector’s biggest headwind, there’s another area that regulators and industry players should be concerned about: fraud. Cybercrime often acts as a barometer of economic trends, and as the BNPL market continues to soar, fraudsters are cashing in.

Rather than relegating their activities to dark web marketplaces, scammers are hiding in plain sight on encrypted messaging apps. They collaborate through publicly available forums on these platforms to target BNPL providers with new tactics.

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The only way to get ahead of these scams is for BNPL vendors to ensure they have the right defense strategy in place to combat fraud on their own platforms and networks.

Payment fraud is going mainstream, and anyone with an internet connection can join in. Yet, rather than hoping that platforms remove these fraud forums from their services, BNPL providers and the merchants who use them can shore up their own properties by understanding exactly how they are at risk.

The dark web has, for years, been home to cybercrime and has become an oasis for scammers looking to obtain compromised information. However, with the recent crackdown on dark web marketplaces, cybercriminals have turned to new and under-the-radar hubs to commit illegal activity.

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Malign actors have set their sights on secure messaging apps, such as Telegram, to conduct their illegal activity. As a part of the deep web, which isn’t indexed by search engines, secure messaging apps are a haven for professional criminals hoping to remain anonymous.

Within these forums, fraudsters have evolved their attack strategies. Instead of solely buying and selling access to information, cybercriminals have begun to promote fraud as a service.

One example is a Telegram scheme in which cybercriminals steal from restaurants and food delivery services. By advertising their ability to purchase food and beverage orders with stolen information (e.g., log-in credentials or credit card numbers), they offer opportunistic diners a meal at a heavily discounted rate.There is no cost to you for electronic check (eCheck) payments. Your Secured Property Tax Bill contains your Assessor’s Identification Number (AIN) and Personal Identification Number (PIN), which you will need to complete the transaction. Each eCheck transaction is limited to $999, 999.99. When paying by eCheck, your bank account must be Automated Clearing House (ACH)-enabled, meaning the transaction can settle through the ACH Network. If your bank account has a debit block to prevent unauthorized organizations from debiting your account via ACH, you must notify your bank to authorize ACH debits from Los Angeles County with a debit filter with the Company Identification Number of 0 0 0 0 0 7 9 1 6 1. Los Angeles County updated its Company Identification Number in September 2018, so you must update this Company Identification Number if you previously had a debit filter on your bank account.

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We accept major credit card and debit card payments. You will need your Assessor’s Identification Number (AIN), which is printed on your Secured Property Tax Bill, to complete the transaction. Please retain the confirmation number for future reference. Each credit/debit card transaction is limited to $99, 999.99, including a service fee of 2.22 percent of the transaction amount (minimum $1.49 per transaction). If you do not have the current year Secured Property Tax Bill, please call the Bill Request Line 24 hours a day, 7 days a week at 213.893.1103 to request a Substitute Secured Property Tax Bill.

Before sending your payment, we recommend visiting our Avoid Penalties by Understanding Postmarks to ensure there are no problems when mailing your payment.

Payments mailed to an address other than the address listed below, including any Assessor Office, that are received by the Los Angeles County Tax Collector after the delinquency date are delinquent and penalties will be imposed.

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If you are using an Independent Delivery Service, you must use an Internal Revenue Service designated delivery service, or one that has been approved by the Los Angeles County Tax Collector. The payment must be in a sealed envelope or package, properly addressed with the required fee prepaid; the package must have been sent on or before the delinquency date and delivery must be no later than 5:00 p.m. Pacific Time on the next business day after the effective delinquency date. For example, if December 10th falls on Monday, the package must be received in our office by

5:00 p.m. Pacific Time on Wednesday, December 12th. If December 10th falls on a Friday, the package must be received in our office by 5:00 p.m. Pacific Time on Tuesday, December 14th. Click the button below to view a list of accepted mailing services.

We accept major credit card and debit card payments over the telephone. To pay by telephone, call toll-free 1.888.473.0835. Your Secured Property Tax Bill contains your Assessor’s Identification Number (AIN), Year, and Sequence, which you will need to complete the transaction. Each credit/debit card transaction is limited to $99, 999.99, including a service fee of 2.22 percent of the transaction amount (minimum $1.49 per transaction).

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We accept cash, check, money order, cashier’s check, and major credit cards and debit cards at 225 North Hill Street, First Floor Lobby, Los Angeles, CA 90012, between 8:00 a.m. and 5:00 p.m. Pacific Time, Monday through Friday, excluding Los Angeles County holidays. Each credit/debit card transaction is limited to $75, 000.00, including a service fee of

We also accept payments at 335A East Avenue K-6, Lancaster, CA 93535, between 8:00 a.m. and 5:00 p.m. Pacific Time on the delinquency date only. You must make your payments by check, money order, cashier’s check, or major credit cards or debit cards. We do not accept cash payments at this location. Each credit/debit card transaction is limited to $75, 000.00, including a service fee of 2.22 percent of the transaction amount (minimum $1.49 per transaction).

Pay your taxes online using your checking account or credit/debit card. You will need your Assessor’s Identification Number (AIN) to

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zerhusen21933 April 19, 2023 Comment

Aging is inevitable, and for many, it signals the beginning of a new chapter - one where you cross off bucket list items and live life to the fullest, on your own terms. However, for some women, aging is a horrible prospect, filled with chronic fatigue, irritability, and inability to perform in the bedroom. If you're concerned about life in middle age and beyond, we've got great news: there are easy, proven steps that you can take to help stop the negative effect of aging.

Global Life Rejuvenation was founded to give women a new lease on life - one that includes less body fat, fewer mood swings, and more energy as you age. If you're ready to look and feel younger, it's time to consider HRT (hormone replacement therapy), and growth hormone peptides. These therapies for men and women are effective, safe, and customized to fit your goals, so you can keep loving life as you get older.

HRT, and growth hormone peptide therapies bridge the gap between your old life and the more vibrant, happier version of you. With a simple click or call, you can be well on your way to a brighter future. After all, you deserve to be the one in charge of your wellness and health. Now, you have the tools to do so - backed by science and applied by our team of HRT experts with more than 13 years of experience.

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As women age, their hormones begin to go through changes that affect their day-to-day lives. For women, hormone deficiency and imbalance usually occur during menopause and can cause chronic fatigue, hot flashes, and mood swings, among other issues. Hormone replacement therapy helps correct hormone imbalances in women, helping them feel more vibrant and virile as they age.

Often, HRT treatments give patients enhanced quality of life that they didn't think was possible - even in their 60's and beyond.

As women age, their bodies begin to go through significant changes that affect their quality of life. This change is called menopause and marks the end of a woman's menstrual cycle and reproduction ability. Though there is no specific age when this change occurs, the average age of menopause onset is 51 years old. However, according to doctors, menopause officially starts 12 months after a woman's final period. During the transition to menopause, women's estrogen and other hormones begin to deplete.

News & Notes

The symptoms of hormone deficiency can be concerning and scary for both women and their spouses. However, if you're getting older and notice some of these symptoms, there is reason to be hopeful. Hormone replacement therapy and anti-aging medicine for women can correct imbalances that happen during menopause. These safe, effective treatments leave you feeling younger, healthier, and more vibrant.

The most common reason for menopause is the natural decline in a female's reproductive hormones. However, menopause can also result from the following situations:

Oophorectomy: This surgery, which removes a woman's ovaries, causes immediate menopause. Symptoms and signs of menopause in this situation can be severe, as the hormonal changes happen abruptly.

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Ovarian Insufficiency: Also called premature ovarian failure, this condition is essentially premature menopause. It happens when a woman's ovaries quit functioning before the age of 40 and can stem from genetic factors and disease. Only 1% of women suffer from premature menopause, but HRT can help protect the heart, brain, and bones.

For many women, menopause is a trying time that can be filled with many hormonal hurdles to jump through. A little knowledge can go a long way, whether you're going through menopause now or are approaching "that" age.

If you're a woman going through menopause and find that you have become increasingly depressed, you're not alone. It's estimated that 15% of women experience depression to some degree while going through menopause. What many women don't know is that depression can start during perimenopause, or the years leading up to menopause.

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Depression can be hard to diagnose, especially during perimenopause and menopause. However, if you notice the following signs, it might be time to speak with a physician:

Remember, if you're experiencing depression, you're not weak or broken - you're going through a very regular emotional experience. The good news is that with proper treatment from your doctor, depression isn't a death sentence. And with HRT and anti-aging treatment for women, depression could be the catalyst you need to enjoy a new lease on life.

Hot flashes - they're one of the most well-known symptoms of menopause. Hot flashes are intense, sudden feelings of heat across a woman's upper body. Some last second, while others last minutes, making them incredibly inconvenient and uncomfortable for most women.

Typically, hot flashes are caused by a lack of estrogen. Low estrogen levels negatively affect a woman's hypothalamus, the part of the brain that controls body temperature and appetite. Low estrogen levels cause the hypothalamus to incorrectly assume the body is too hot, dilating blood vessels to increase blood flow. Luckily, most women don't have to settle for the uncomfortable feelings that hot flashes cause. HRT treatments for women often stabilize hormones, lessening the effects of hot flashes and menopause in general.

Mood swings are common occurrences for most people - quick shifts from happy to angry and back again, triggered by a specific event. And while many people experience mood swings, they are particularly common for women going through menopause. That's because, during menopause, the female's hormones are often imbalanced. Hormone imbalances and mood swings go hand-in-hand, resulting in frequent mood changes and even symptoms like insomnia.

The rate of production of estrogen, a hormone that fluctuates during menopause, largely determines the rate of production the hormone serotonin, which regulates mood, causing mood swings.

Luckily, HRT and anti-aging treatments in Franklin Lakes, NJ for women work wonders for mood swings by regulating hormone levels like estrogen. With normal hormone levels, women around the world are now learning that they don't have to settle for mood swings during menopause.

Staying fit and healthy is hard for anyone living in modern America. However, for women with hormone imbalances during perimenopause or menopause, weight gain is even more serious. Luckily, HRT treatments for women coupled with a physician-led diet can help keep weight in check. But which hormones need to be regulated?

Lowered sexual desire - three words most men and women hate to hear. Unfortunately, for many women in perimenopausal and menopausal states, it's just a reality of life. Thankfully, today, HRT and anti-aging treatments Franklin Lakes, NJ can help women maintain a normal, healthy sex drive. But what causes low libido in women, especially as they get older?

Progesterone production decreases during perimenopause, causing low sex drive in women. Lower progesterone production can also cause chronic fatigue, weight gain, and other symptoms. On the other hand, lower estrogen levels during menopause lead to vaginal dryness and even vaginal atrophy or loss of muscle tension.

Lastly, testosterone plays a role in lowered libido. And while testosterone is often grouped as a male hormone, it contributes to important health and regulatory functionality in women. A woman's testosterone serves to heighten sexual responses and enhances orgasms. When the ovaries are unable to produce sufficient levels of testosterone, it often results in a lowered sex drive.

Often uncomfortable and even painful, vaginal dryness is a serious problem for sexually active women. However, like hair loss in males, vaginal dryness is very common - almost 50% of women suffer from it during menopause.

Getting older is just a part of life, but that doesn't mean you have to settle for the side effects. HRT and anti-aging treatments for women correct vaginal dryness by re-balancing estrogen, progesterone, and testosterone. When supplemented with diet and healthy living, your vagina's secretions are normalized, causing discomfort to recede.

Uterine fibroids - they're perhaps the least-known symptom of menopause and hormone imbalances in women. That's because these growths on the uterus are often symptom-free. Unfortunately, these growths can be cancerous, presenting a danger for women as they age.

Many women will have fibroids at some point. Because they're symptomless, they're usually found during routine doctor exams. Some women only get one or two, while others may have large clusters of fibroids. Because fibroids are usually caused by hormone imbalances, hysterectomies have been used as a solution, forcing women into early menopause.

Advances in HRT and anti-aging medicine for women give females a safer, non-surgical option without having to experience menopause early. At Global Life Rejuvenation, our expert physicians will implement a customized HRT program to stabilize your hormones and reduce the risk of cancerous fibroid growth.

Endometriosis symptoms are much like the effects of PMS, and include pelvic pain, fatigue, cramping, and bloating. While doctors aren't entirely sure what causes this painful, uncomfortable condition, most agree that hormones - particularly xenoestrogens - play a factor.

Endometriosis symptoms are much like the effects of PMS and include pelvic pain, fatigue, cramping, and bloating. While doctors aren't entirely sure what causes this painful, uncomfortable condition, most agree that hormones - particularly xenoestrogens - play a factor.

Xenoestrogen is a hormone that is very similar to estrogen. Too much xenoestrogen is thought to stimulate endometrial

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hannah wilke body artwork

zerhusen21933 April 19, 2023 Comment

Hannah Wilke, S.O.S. Starification Object Series, 1974. © Marsie, Emanuelle, Damon and Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles. Licensed by VAGA at Artist’s Rights Society (ARS), New York, DACs, London. Courtesy of Hannah Wilke Collection & Archive, Los Angeles and Alison Jacques Gallery, London.

At the far end of Alison Jacques Gallery in London, large and immediate, a sculpture of a vulva appeared leathery, red-raw, hanging from small hooks like drying meat. The sculpture’s edges are rippled like petals, shrivelled and calloused, and the folds overlap around a central cavity. Hannah Wilke’s

(ca. 1970) begs to be touched, as though by doing so one might begin to understand these contradictions: delicate yet hardened, beautiful but off-putting. It has the look of something blooming and rotting all at once. It made me think of women, of death, of the utter strangeness of the body.

Ronald Feldman Gallery

It’s easy to label her output “feminist art.” Wilke, who was born Arlene Hannah Butter in 1940 in New York and died of cancer in Houston, Texas, in 1993 at age 52, is best known for her performances, photographs, and sculptures, many of which incorporate vulva imagery and her own nude body. When asked why she employed non-traditional materials such as lint, chewing gum, erasers, and vintage postcards, Wilke replied, “I chose gum because it’s the perfect metaphor for the American woman—chew her up, get what you want out of her, throw her out and pop in a new piece.” Texturality and physicality are inextricable from the politics of her work; their very fabric is imbued with her statement of intent.

Hannah Wilke, Untitled, 1970s. © Marsie, Emanuelle, Damon and Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles. Licensed by VAGA at Artist’s Rights Society (ARS), New York, DACs, London. Courtesy of Hannah Wilke Collection & Archive, Los Angeles and Alison Jacques Gallery, London.

Wilke explored this idea of materiality in her well-known “S.O.S. Starification Object Series” (1974–82), a sequence of public performances and documentary photographs. During a performance, Wilke would give out chewing gum to viewers, instructing them to hand it back when it had softened. She’d then fashion the gum into a vulva-like shape—she called it a “cunt” or “box”—and stick it to her body. The effect, captured in the accompanying black-and-white photographs, is unsettling: Wilke vamps like a screen idol even as her face and body are turned grotesque, covered in strange welts that appear almost parasitic.

Hannah Wilke, Mental Illness Part I

The violence of mastication—the grinding of teeth, the destruction and transformation of something once whole—is central to the work itself. In this performance, Wilke figuratively reenacted that violence on her own body, symbolizing the real dangers that society imposes upon women. Wilke’s own words emphasize the idea of the chewing gum as an externalized symbol of womanhood that is smoothed out, transformed, then rejected: “As an American girl born with the name Butter in 1940, I was often confused when I heard what it was like to be used, to be spread, to feel soft, to melt in your mouth.…Fascistic feelings, internal wounds, made from external situations.”

This emphasis on the body—specifically the female body—was both the reason for Wilke’s success and the critical dissatisfaction with her work. As an attractive, straight, white woman who used her body as a canvas—a site upon which to stage a complex dialogue on beauty and femininity—Wilke was often observed with distaste. She had captured an eternal dilemma: Can femininity or sexuality ever subvert patriarchal ideals?

In her 1987 essay, “The Dynamics of Desire: Sexuality and Gender in Pornography and Performance, ” Jill Dolan noted that, “Wilke and Carolee Schneemann, who frequently performed nude, had beautiful bodies that implicitly legitimized their exposure in the performance space according to the dominant culture’s standards.” For Dolan, rather than subverting societal norms, Wilke’s nude performances were a tool that upheld them, further adding to the stratification of women’s bodies and the exclusion of those not deemed attractive enough.

The Art Of Hannah Wilke: 'feminist Narcissism' And The Reclamation Of The Erotic Body.

Hannah Wilke, Marxism & Art, 1977. © Marsie, Emanuelle, Damon and Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles. Licensed by VAGA at Artist’s Rights Society (ARS), New York, DACs, London.

It’s also necessary to examine how Wilke’s representations of vaginas are linked to her ideas around a “natural” womanhood, with her claim that women are “biologically superior. I can have a baby, you can’t.” There’s an uncomfortable strain of essentialism to her statement—one that Wilke has often been criticized for. In this light, her centering of the vagina and use of the idealized feminine body seems lazy, a simplistic byword for femininity that reduces women to their reproductive organs. It’s an objection often raised against female artists from the early 1970s, when many radical, second-wave feminists didn’t consider—or worse, outright rejected—transgender women.

But to definitively categorize Wilke as only interested in a certain kind of biological, essentialist femininity is to disregard the complexity that makes her work so absorbing. The vulva sculptures are not just varied in terms of size or color, but in their very form. Some destabilize the shape of the vulva to such an extent that they function on a purely figurative level. As Rachel Middleman observed in her 2013 essay “Rethinking Vaginal Iconology with Hannah Wilke's Sculpture, ” Wilke’s “ceramic sculptures of the early 1960s (cut, folded, pressed, stretched, and shaped by hand) suggest male, female, and sometimes androgynous sexuality.” Her pastel-hued paintings from this time period reinforce this ambiguity, with phalluses and vulvas that blur into each other until synthesized. Rather than reinforcing a binary, her work alludes to overlap, intermingling.

Hannah Wilke Another World: 12 Bedroom Stories Tableaux Vivants

(decided in 1973), a Supreme Court struggle that centered around controlling women’s right to an abortion. To say that Wilke’s beauty meant that she was unable to use her body as a political statement therefore seems reductive. This environment also had a financial and societal toll on women—even beautiful ones—who used their bodies in ways deemed unacceptable. Wilke voiced worries of losing her teaching job at the School of Visual Arts in New York because of her nude performances, demonstrating the conservatism inherent even in artistic circles.

This analysis also glosses over Wilke’s desire to use her work to draw out dynamics of race and power, especially in regard to her status as a Jewish American. As Wilke stated in her 1978 video performance

, “As a Jew, during the war, I would have been branded and buried had I not been born in America. Starification-scarification.…Jew, black, Christian, Muslim ... Labelling people instead of listening to them ... judging according to primitive prejudices... Sticks and stones break our bones, but names more often hurt us.” This sentiment is reflected in her poster

Two Artists' Divergent Roads To Eros

(1977), in which she uses her naked body—and the slogan “Marxism and Art: Beware of Fascist Feminism”—to directly confront the viewer. It’s an arresting image—her chest spangled with her

Gum vulvas, shirt open, tie long—that explicitly acknowledges Wilke’s work as political, a call-out to her critics whose reaction to her body reveals their conservatism.

Throughout the 1980s and ’90s, Wilke’s practice directly investigated the relationship between her success and her looks. The series “Intra-Venus” (1991–93), her final work, documents her body throughout chemotherapy. Running parallel to her earlier nude photographs, which presented the viewer with her naked torso in black and white, all youthful confidence and coy gaze, this bold, heartbreaking series is instead shot in color. Wilke photographed her gauze, her drip, the purple veins that run through her skin. Her shampoo-advertisement quality hair has been reduced to wisps by the chemo; halfway through the sequence, she shaves it off, then photographs a lock of it. Even at the end, Wilke was concerned, still, with all aspects of the naked body: vulnerable, beautiful, strange.

Hannah Wilke: Living As Art

Jenna Gribbon, Luncheon on the grass, a recurring dream, 2020. Jenna Gribbon, April studio, parting glance, 2021. Jenna Gribbon, Silver Tongue, 2019

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zerhusen21933 April 19, 2023 Comment

Sue Nicholson is retiring from the Monroe Chamber of Commerce this week after decades of work advocating for businesses and working to drive economic development in northeast Louisiana.

Nicholson has had a long career of service. She's worked with the Ruston Chamber of Commerce and Convention and Visitors Bureau, the Boy Scouts of America, acted as president of the West Monroe-West OuachitaChamber for nine years and served as the Assistant Vice President of External Affairs at the University of Louisiana Monroe.

That was going to be my life, " Nicholson said. "I loved working at ULM, loved the academic setting. Was there for a year and half, and the Monroe Chamber position came up.

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"And I kind of thought, well, maybe I'll do that. And didn't. And then I had somebody come and say, you really need to apply, we really want you to apply. So they recruited me, and the rest is history. Here I am."

Up until about 1990, she said, Chamber leadership was mostly white males. Since then, the board has invited more diverse leadership. She said the chamber started nailing it starting around 2000 and since thenhas had Black and women presidents.

The board, she said, is more reflective now of the business and leaders in the community, and she thinks her groundwork to continue with that diversity, equity and inclusion is part of her legacy, as is her efforts for workforce development.

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The Chamber has three primary goals, she said: Business advocacy, infrastructure and workforce development. It's been important to her to maintain clarity and choose projects that will continue to serve businesses.

At the time, she said, the West Monroe Chamber was on North Seventh Street. As of 1995, they'd been without a president for about a year, and the office didn't have a computer. They manually tracked deposit slips to see who had paid dues to determine who was a chamber member. She said she's really proud with the work done to build that organization up.

When she came into the Monroe Chamber, the previous president had been gone for eight or nine months. She said there was a regrouping time right after she came on, and it took effort to make the organization financially sound.

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"Ifwe're taking a lot of money from a governmental body, who do we represent? Well, the answer should always be, we represent business. We are a business advocacy group. And if we can't say that, then we have to really rethink who we are, " she said.

From there, she said, they had to determine what businesses really needed from the chamber and how to connect them with other, similar businesses and how to work with governments to meet those needs.

Nicholson pointed to the Kansas Lane connector project that's shovel ready and in early days of the work. It's been a long-term effort for the chamber to push it forward.

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She said there's a tremendous amount of development ongoing, and she pointed to Gov. John Bel Edwards committing $20 million in federal funds to widen Interstate 20 for 2 miles andLouisiana Department of Transportation and Development working on the Garrett Road interchange.

"All of these things around this one little project, that, you know, my goal is to keep assisting with that, to get that done, " she said.

Early in, she said, they had businesses say jobs were open, but they couldn't find candidates with the right skills. And candidates were available but in need of training.

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She said it started with Time Green saying he couldn't find accountants. They wanted to go into high schools and let teens know about the profession. They started with an accounting tech program that drew two students.

Matt Dickerson, who works for Monroe City Schools, said the district was usingYouScience to assess what students want to do with their lives.

"Shockingly, 40% of the students, so they wanted to open their own business. So we're like, OK, they're going to need accounting, but they don't want accounting. So how can we kind of address this?" she said.

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Before Ron Berry was president of ULM, he was dean of thecollege of business and social sciences. He and his team helped develop a six-course program for college creditthat launched in the fall with a $150, 000 Chase grant, which is mostly for teacher training.

They had 200 students sign up. Berry and his team wrote a grant proposal and got $1.1 million from the federal government’s Workforce Opportunity for Rural Communities initiative.

The money will help expand the program to any high school in northeast Louisiana that wants it and training them. The courses also can be taken online.

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Her many hobbies include art and genealogy. She's traced her father's family back to Scotland via Nova Scotia and wants to make connections with a genealogy project from that region to help others make connections and expand their family trees.

And she still plans to work with community projects. She's still on boards that highlight workforce development and draw tourists to the parish.

Nicholson still plans to serve, but now she gets to spend as much time as she chooses on projects that spark her passion.Stray Cat Film Center, 2021 No Divide KC, 2021 Poetry Club Collective, 2021 Manheim Gardens, 2021 KC Zine Con, 2021 La Resistencia Press, 2021 The Cecilia Series, 2021

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Calvin Arsenia Scott, 2022 The Black Creatures, 2022 Stacy Busch, 2020 Vi Tran, 2020 Sheri Purpose Hall, 2019 David Wayne Reed, 2019 Shawn Hansen, 2018 Marcus Lewis, 2018 Amado Espinoza, 2017 Cat Mahari, 2017 Eddie Moore, 2016 J. Ashley Miller, 2016 Jeff Harshbarger, 2015 Hunter Long, 2015 Jane Gotch, 2014 Hermon Mehari, 2014 Heidi Van, 2012 Patrick Alonzo Conway, 2012 James Mobberley, 2011 Kyle Hatley, 2011 Brad Cox, 2010 Stephanie Roberts, 2010 Glenn North, 2009 Tiffany Sisemore, 2009 DeeAnna Hiett, 2008 Ron Megee, 2008 Mark Southerland, 2008

Andrew Mcilvaine, 2022 Harold Smith Jr., 2022 Johanna Winters, 2022 Cory Imig, 2020 Glyneisha Johnson, 2020 Kathy Liao, 2020 Boi Boy, 2019 Megan Pobywajlo, 2019 Fatimah Tuggar, 2019 Marie Bannerot McInerney, 2018 Jarrett Mellenbruch, 2018 Jillian Youngbird, 2018 Karen McCoy, 2017 Stephen Proski, 2017 Samara Umbral, 2017 Shawn Bitters, 2016 Madeline Gallucci, 2016 Rodolfo Marron III, 2016 Jill Downen, 2015 Rashawn Griffin, 2015 Misha Kligman, 2015 Amy Kligman, 2014 Garry Noland, 2014 Sean Starowitz, 2014 Mike Erickson, 2013 Erika Lynne Hanson, 2013 Paul Anthony Smith, 2013 Marcus Cain, 2012 Anne Austin Pearce, 2012 Luke Rocha, 2012 Ricky Allman, 2011 Andy Brayman, 2011 Peggy Noland, 2011 Ari Fish, 2010 Sonié Ruffin, 2010 Caleb Taylor, 2010 Dylan Mortimer, 2009 Jamie Warren, 2009 Andrzej Zielinski, 2009 Jorge Garcia Almodovar, 2008 Mike Hill, 2008 Beniah Leuschke, 2008 Adolfo Martinez, 2008 Cody Critcheloe, 2007 Jessica Kincaid, 2007 Emily Sall, 2007 James Trotter, 2007 Anthony Baab, 2006 Deanna Dikeman, 2006 Justin Gainan, 2006 Elijah Gowin, 2006 Aaron Wrinkle, 2006 Callyann Casteel, 2005 Max Key, 2005 Miles Neidinger, 2005 Craig Subler, 2005 Sean Ward, 2005 Michael Converse, 2004 Egawa & Zbryk, 2004 Rachel Hayes, 2004 Seth Johnson, 2004 Jay Norton, 2004 Leo Esquivel, 2003 Jennifer Field, 2003 Art Miller, 2003 Dean Mitchell, 2003 Donald Ross (“Scribe”), 2003 Mark Schweiger (“Gear”), 2003 Lori Raye Erickson, 2002 Marcie Miller Gross, 2002 Tammi Kennedy, 2002 May Tveit, 2002 Alonzo Washington, 2002 Davin Watne, 2002 Ken Ferguson, 2001 David Ford, 2001 Lester Goldman, 2001 Leeah Joo, 2001 Eric Sall, 2001 Kati Toivanen, 2001 Tom Gregg, 2000 Adriane Herman, 2000 Peregrine Honig, 2000 Warren Rosser, 2000 Jesse Small, 2000 James Woodfill, 2000 Nate Fors, 1999 Ke-Sook Lee, 1999 Wilbur Niewald, 1999 Michael Rees, 1999 Mike Sinclair, 1999 Bridget Stewart, 1999 Patrick Clancy, 1998 Archie Scott Gobber, 1998 Anne Lindberg, 1998 Judi Ross, 1998 Judith Sanazaro, 1998 Tony Allard & Kristine Diekman, 1997 James Brinsfield, 1997 Russell Ferguson, 1997 Mary Wessel, 1997

Stray Cat Film Center is an artist-run non-profit media arts organization and neighborhood microcinema space. Stray Cat is dedicated to offering our community film programming that reflects the diversity of voices and visions in cinematic expression and using cinema as a conduit to inspire, educate and explore.

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Driven by artists and community leaders from the Troost Corridor and the east side of Kansas City, Blackbox on Troost hosts community theater performances, learning workshops, cross-disciplinary media collaborations and more. Cynthia Hardeman, former Neighborhood Artists Resident and Founder of Drama Time, will lead the ongoing transition from the NAR residency site into a community performance space.

Kansas City Public Theatre provides access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops. By providing quality theatre productions free of charge to the public, Kansas City Public Theatre envisions theatre as an essential cultural good which should be fully accessible to all members of the community.

Kansas City Society of Contemporary Photography (KCSCP) is an artist centric organization. They focus on providing opportunities for photographers to exhibit and promote their photographic work in Kansas City and surrounding areas. KCSCP

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